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Technical info - Effetre Resource
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Effetre Transparent |
Colour |
Properties |
Reactions
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004 |
Clear |
Melts quickly
May contain bubbles or scum |
Vetrofond crystal clear and Laucha clear are widely accepted as the best bubble and scum free glasses for clear encasement
Laucha COE 104 can have compatibility issue with other COE 104 glasses |
008 |
Pale amber |
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012 |
Lt amber / topaz |
Stiff glass |
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014 |
Med amber / topaz |
Stiff glass |
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016 |
Root beer / dk topaz |
Stiff glass
Transparent as spacers, appears almost opaque as larger beads |
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018 |
Lt brown |
Medium stiff glass
Handpulled colour |
Very reactive
Super effects when used with Reichenback Iris Gold Frit |
019 |
Sage green |
Medium stiff glass
Handpulled colour |
Reduces to rich terracotta in a propane rich flame. The effects is particularly effective over a base of opaque red or brown |
020 |
Lt grass green |
Stiff glass
May pit if over heated |
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022 |
Med grass green |
Stiff glass
May pit if over heated |
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023 |
Green |
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024 |
Dk grass green |
Medium stiff glass
Transparent as spacers, appears almost opaque as larger beads |
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026 |
Lt teal |
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027 |
Dk teal |
Stiff glass
Handpulled colour |
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028 |
Emerald green lt |
Stiff Glass
Boils if over heated |
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030 |
Emerald green dk |
Stiff glass
Transparent as spacers, appears almost opaque as larger beads |
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031 |
Pale emerald green |
Medium stiff glass
Handpulled colour |
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034 |
Lt aquamarine |
Stiff glass, hardens quickly |
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036 |
Dk aquamarine |
Medium stiff glass
May pit if over heated |
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038 |
Very pale aqua |
Medium stiff glass
May pit if over heated |
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040 |
Amethyst lt |
Medium stiff glass |
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042 |
Amethyst med |
Medium stiff glass |
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044 |
Amethyst dk |
Medium stiff glass Transparent as spacers, appears almost opaque as larger beads |
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046 |
Pale amethyst |
Medium stiff glass
Can appear clear when encased over many opaques |
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048 |
Very pale blue grey |
Medium stiff glass |
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049 |
Straw yellow |
Stiff glass
Handpulled colour |
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050 |
Pale blue |
Medium stiff glass |
Pale blue appears green as an encasement over ivory |
052 |
Lt blue |
Medium stiff glass
May pit if over heated |
Light blue appears green as an encasement over ivory |
054 |
Med blue |
Medium stiff glass
May pit if over heated |
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056 |
Dk blue |
Medium stiff glass
May pit if over heated
Transparent as spacers, appears almost opaque as larger beads |
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058 |
Ink blue |
Medium soft glass
Handpulled colour |
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060 |
Cobalt blue |
Medium stiff glass
May pit if over heated
Transparent as spacers, appears almost opaque as larger beads |
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064 |
Black |
Appears purple encased over a light opaque glass
When used as a base or a solid bead it will appear black opaque |
Encase over cobalt blue and pull stringer for a darker effect.
Superheat over Vetrofond anise white base to get pinks/purples
Use as a base and superheat Vetrofond anise white over the top to get sky blue |
068 |
Pale rose |
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069+ |
Electric yellow |
Striking
Medium stiff glass |
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070 |
Uranium yellow |
Stiff glass
Handpulled colour Appears yellow / green |
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071 |
Yellow green |
Medium stiff glass
Handpulled colour |
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072+ |
Orange |
Striking
Very stiff glass |
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076+ |
Red |
Striking
Very stiff glass |
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080 |
Pale lavender |
Medium stiff glass
Will appear clear over light opaque and transparent glass |
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081 |
Dk lavender |
Stiff glass
Handpulled colour
Dense colour
Pale blue under fluorescent light |
Not reactive, great to encase other purples
Encase over dark amethyst to remove brown tones |
082 |
Blue pink (Rosato) |
Medium stiff glass
Pink as a spacer |
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084 |
Lt grey |
Medium stiff glass |
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088 |
Dk grey |
Medium stiff glass |
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Effetre Opaque |
Colour |
Properties |
Reactions
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204 |
White |
Melts easily |
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208 |
Light white (Anise) |
Melts easily |
Rust colour when super heated and reacts beautifully with Nero Intenso |
210 |
Avocado green |
Medium stiff glass
Handpulled colour |
Lots of striation when heated alone
Reacts strongly with the sulphur in ivory and other copper colours
Reacts with pure silver (not sterling silver) and silver glass |
211 |
Sage green |
Stiff glass
Handpulled colour
Contains grey tones |
Lots of striation when heated alone
Reacts strongly with the sulphur in ivory and other copper colours
Reacts with pure silver (not sterling silver) and silver glass |
212 |
Pea green |
Medium stiff glass |
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214 |
Nile green |
Medium stiff glass |
Nile green stringer shows a pinkish tinge at the edges when melted in to ivory |
216 |
Lt grass green |
Medium stiff glass |
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218 |
Petroleum green |
Medium stiff glass
May pit if over heated |
Striations occur during heating
Super heating can produced marbled effects
Over heating can produce a brick red colour which can be removed by etching |
219 |
Copper green |
Stiff glass
Handpulled colour |
Can reduce easily, likes a slightly oxidising flame
Reduces to a coppery grey metallic patina
Contains striations when used alone
Reacts well with ivory, opal yellow, opaque purple, silver leaf, rubino, other copper colours and reduction frits
When melted into Laucha cocoa a wide metallic copper edge can appear between the copper green and the cocoa |
220 |
Periwinkle |
Melts quickly
May pit if over heated |
A homogenous mix of periwinkle and trans black stringer looks silver when it come out of the kiln
Dots on top of Rubino Oro have light edges and a dark centre |
221 |
Lavender |
Soft glass
Handpulled colour |
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223 |
Mosaic green |
Medium stiff glass
Handpulled colour |
Swallows many other colours
Webs and veins like intense black over dark ivory |
224 |
Lt sky blue |
Melts quickly
May pit if over heated |
May turn reddish if heated too long |
228 |
Dk sky blue |
Medium stiff glass
May pit if over heated |
Reduction colour may occur in a neutral flame and can be etched off
reacts strongly with ivory to form a dark edge where the glasses meet |
232 |
Lt turquoise |
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Reduction colour may occur in a neutral flame and can be etched off
reacts strongly with ivory to form a dark edge where the glasses meet |
236 |
Dk turquoise |
Medium stiff glass
May pit if over heated |
Reduction colour may occur in a neutral flame and can be etched off
reacts strongly with ivory to form a dark edge where the glasses meet |
240 |
Light lapis |
Medium stiff glass
May pit if over heated |
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242 |
Med lapis |
Medium stiff glass
May pit if over heated |
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246 |
Cobalt lapis |
Medium stiff glass
May pit if over heated |
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247 |
Ink blue |
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248 |
Lt grey |
Medium stiff glass
Very shocky |
Black, grey and light grey take on copper brown tones and spread to form fuzzy soft edges |
252 |
Dk grey |
Medium stiff glass |
Black, grey and light grey take on copper brown tones and spread to form fuzzy soft edges |
254 |
Purple |
Medium stiff glass
Handpulled
Aka. EDP (Evil Devitrifying Purple) and will easily burn |
Can look chalky and pitted during heating
Reheat to remove these effects
Reacts with ivory
Can swallow other colours
Reacts with light pink to form dark pink/purple and silver lines
A loose twistie of EDP and transparent black melted into a light opaque base bead creates an effect where the black spreads further than the EDP (Very Pretty)
Alternate heating and chilling EDP stringers over a transparent black base to form striations of purple, pink and blue
Orange dots over EDP get a super dark outline |
255 |
Silver pink |
Very soft
Allow to cool a little longer before putting in the kiln as it holds heat |
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256 |
Dk rose |
Melts easily similar in colour to 260 |
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258+ |
Tongue pink |
Striking
Soft glass
Handpulled |
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260 |
Lt rose |
Melts easily similar in colour to 256 |
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262 |
Powder pink |
Handpulled |
Placing Rubino dots on a base of powder ping and melting in creates a reaction where extra dark pink lines appear between dots as the powder pink separates |
264 |
Ivory |
Melts easily |
Little striation
Reacts well with copper glass (opaque green/blues), pure silver, silver glass and many frits
Light blue appears green as an encasement over ivory |
265 |
Uranium yellow |
Soft glass
Handpulled |
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266 |
Opal yellow |
Handpulled
Shocky
Striking
Melts easily
May contain bubbles |
Rods with rose and yellow rings on the end strike better and have more striation
Works well with Rubino Oro 456+
Great base for tiger stripes, looks good under transparent topaz
Reacts with opaque purple turquoise, copper green |
268 |
Pearl grey |
Melts easily |
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272 |
Violet |
Medium soft glass |
Reduction colour may occur in a neutral flame and can be etched off
Creates silvery edges when it meets Vetrofond black |
273 |
New violet |
Medium soft glass
Handpulled |
Reduces easily in the flame, brown colour can be removed by etching |
274 |
Dk violet |
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275 |
Dk plum |
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276 |
Dk ivory |
Melts easily |
Lots of striation when heated
Nero Intenso webs beautifully when applied as hair thin stringer then super heated
Reacts well with copper glass (opaque green/blues), pure silver, silver glass and many frits
Laucha violet stringer spreads out to make light pink edged over a base of ivory |
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Effetre Special |
Colour |
Properties |
Reactions
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404 |
Lt lemon yellow |
Melts easily
Very dense colour |
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408 |
Med lemon yellow |
Melts easily
Very dense colour |
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412 |
Dk yellow |
Melts easily
Very dense colour |
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416 |
Bright yellow |
Melts easily
Very dense colour |
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418 |
Butter cream yellow |
Melts easily
Very dense colour |
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420 |
Coral |
Medium stiff glass
Creates shiny beads
Very dense colour |
Reacts with turquoise and other colours containing copper
Super heat to create ruffled edges to coral decoration with a darker centre |
422 |
Orange |
Medium stiff glass |
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424 |
Carrot red |
Medium stiff glass
Looks orange
Very dense colour |
Mixed with white it makes a great orange shade for snowman noses
Edges bleed when used over white |
428 |
Lt reddish orange |
Medium stiff glass
Very dense colour |
Edges bleed when used over white |
432 |
Med red |
Medium stiff glass
Very dense colour |
Edges bleed when used over white |
436 |
Dk red |
Medium stiff glass
Very dense colour |
Does not bleed over white |
438 |
Dk purple red |
Very dense colour |
Does not bleed over white |
444 |
Lt brown |
Semi soft glass
Very dense colour |
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448 |
Dk brown |
Semi soft glass
Very dense colour |
Nice for chocolate box beads |
452 |
Dk red brown |
Very dense colour |
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456+ |
Gold pink / Rubino Oro |
Striking
Very stiff glass
Boils easily and looses colour when overheated
Rods can be almost clear through to dark wine colour
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Likes a oxygenating flame
Reduces easily in a neutral flame to horrible grey
Tends to bleed into base colours
Encase over white for rose cane.
Encase over light pink for a bright fuchsia
Turns yucky grey with ivory use instead a silver pink colour
Goes blue / green with silver and silver glass.
Reacts well with opal yellow |
This resource is intended as a guide only. The information listed here has been collated from a variety of internet sites and forums. Special thanks to members of http://frithappens.co.uk forum for their contributions.